![]() ![]() The three cats in this particular work are seen crouched down, listening to the movements of a small mouse that’s enclosed in a cage nearby. They were made from flowers, eggshells or stones and getting the material to really stick to the canvas was an enormous challeng.Īn old irish poem about an author (a monk) and. ![]() The painting portrays a hunters and their dogs. ![]() Middle ages paintings were rich with religious symbolism and imagery.įrom a cat groping donal trump to a kitty sitting in an avocado as it’s pit, ryan definitely knows how to create something incredibly weird and yet so extremely good at the same time.īy the looks of these other answers not many people here know about painting!īut not all societies in the middle ages shared an adverse view toward cats. Medieval Cat Paintings Are The Ugliest Thing Ever jows hulk 8.51K subscribers 994 views 4 years ago Someone Noticed How Ugly Medieval Cat Paintings Are, And It’s Too Funny Ever tried. The paintings in this series clearly indicate that couldery wanted to highlight the curious nature of young kittens. Here are some of the ugly medieval paintings of cats, check out how funny they are! The artwork, which survived the devastating san francisco earthquake of 1906, has been called “the world’s greatest painting of cats,” and after selling at sotheby’s in 2015 for more than $800,000, it’s also the most. Painted in the 1600s by abraham teniers, “barber shop with monkeys and cats” is an anthropomorphic painting featuring cats and monkeys instead of human subjects. Sometimes, they would add depth to the words by illustrating the stories.ĭiego de la cruz, public domain, via wikimedia commons. The middle ages were dark centuries for the cat in the christian world, where it was widely believed that the devil took the form of a black cat. There are lots of medieval manuscripts that feature, for example, illuminations (small images) of nuns with cats, and cats frequently appear as doodles in the margins of Books of Hours.One of the most iconic paintings from the medieval era features a famous scene from the bible’s new testament in which christ is said to have walked on water during a mighty storm. Cats in the cloistersĬats are found in abundance as a status symbol in medieval religious spaces. Eulogies such as this suggest a strong emotional attachment to pet cats and show how cats not only cheered up their masters but provided welcome distractions from the hard mental craft of reading and writing. It is commonplace to see images of cats in iconography of feasts and other domestic spaces, which appears to reflect their status as a. In one poem, a cat is described as a scholar’s light and dearest companion. Last Supper (1320), by Pietro Lorenzetti. In 1406, the bright green cloth was bought to make a special cover for her cat.Ĭats were also common companions for scholars, and eulogies about cats were not uncommon in the 16th century. In 1387, she commissioned a collar embroidered with pearls and fastened by a gold buckle for her pet squirrel. In fact, the 14th-century queen of France, Isabeau of Bavaria, spent excessive amounts of money on accessories for her pets. It was not unusual for high-status men and women in the middle ages to have their portrait completed in the company of a pet, most commonly cats and dogs, to signify their elevated status.īacchiacca (circa 1525), by the Italian painter Antonio d'Ubertino Verdi. Keeping an animal that was lavished with attention, affection, and high-quality food in return for no functional purpose - other than companionship - signified high status. ![]() Pets became part of the personal identity of the nobility. Pet monkeys, for example, were considered exotic and a sign that the owner was wealthy, because they had been imported from distant lands. In the middle ages, men and women were often identified by the animals they kept. But despite their association with the supernatural, medieval manuscripts showcase surprisingly playful images of our furry friends.įrom these (often very funny) portrayals, we can learn a lot about medieval attitudes towards cats - not least that they were a central fixture of daily medieval life. Medieval and Renaissance artists might place a cat in some historical scenes, such as this fresco of the Last Supper by Cosimo Rosselli, which was done around 1481 and can be found in the Sistine Chapel. Their presumed links with paganism and witchcraft meant they were often treated with suspicion. Cats had a bad reputation in the middle ages. Medieval artists were really bad at drawing cats. ![]()
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